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SITE-SPECIFIC COMMISSION

HANDS THAT KNEW

A photographic narrative created for Hotel Schneider, tracing a family history through objects, images, and gestures passed from one generation to the next.

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Hotel Schneider
Obertauern, Austria
2025

Guest walking through Hotel Schneider beside an artwork from the site-specific commission Hands That Knew.

THE COMMISSION

Hands That Knew was created at a moment of transition, as Lisa took over the family hotel and sought a way to make its history present within the spaces she was now carrying forward.

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The project follows several generations, with particular attention to her grandmother Rosina, whose strength, work, and care helped lay the foundations for what the hotel would become.

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Within a wider art project exploring the hotel and its surroundings, my contribution turned inward, towards the people and intimate traces that shaped the life of the place.

Archival family photographs, a key, jewellery and textiles arranged on a pink background for Hands That Knew.
Family photographs, handwritten documents, an open book and personal objects arranged in natural light.

OBJECTS AS MEMORY

Lisa and I spent a morning looking through objects and photographs gathered from different members of the family.

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Old portraits, buttons, flowers, roots, threads, books, typewriters, traditional clothing, textiles, and jewellery became fragments through which the family story could be approached.

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Rather than treating them as historical documents, I worked with them as carriers of memory. Each object held the trace of someone’s hands, habits, work, and presence.

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The title Hands That Knew refers to the hands that built, cared for, and carried the hotel forward, and to the knowledge passed quietly from one generation to the next.

Family photographs, flowers, pinecones and personal objects gathered during the research for Hands That Knew.

The title Hands That Knew refers to the hands that built, cared for, and carried the hotel forward.

Archival photographs, books, jewellery and family belongings arranged in a hotel room during the creative process.
Collection of vintage buttons and family photographs used as source material for Hands That Knew.
Erica Ferraroni composing a still life in a temporary natural-light studio at Hotel Schneider.
Camera and natural-light still-life setup overlooking the snowy slopes of Obertauern.

WORKING WITH THE PLACE

Over the course of one week, I transformed several hotel rooms, each with a different orientation, into temporary studios.

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Working exclusively with natural light, I followed its movement through the rooms and allowed it to shape each composition. Every object photographed belonged to the family or was found on site.

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Initially conceived as seven works, the project expanded to eleven as new relationships between images, objects, and stories emerged.

SELECTED WORKS

Vintage family portrait surrounded by roots and buttons in a photographic artwork about lineage.
Portraits of a couple arranged with branches, thread and leaves in a photographic artwork about shared roots.
Still-life composition with an archival portrait, open book, flower, spoon and textile details honouring Rosina.
Vintage postcard of the Obertauern valley arranged with keys, lavender and handwritten correspondence.
Open vintage camera bag holding family photographs and flowers in a photographic artwork about memory.
Archival family photograph connected by a white thread and small yellow flowers.

THROUGH THE HOTEL

The eleven works were installed along the corridors of the hotel’s three floors and in selected common areas.

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As guests move through the building on the way to their rooms, they encounter fragments of the family’s history. The works allow the past to remain quietly present within the daily life of the hotel.

Photographic artwork from Hands That Knew installed beside an antique painted cabinet at Hotel Schneider.
Hands That Knew artwork installed in a lounge at Hotel Schneider.

PROJECT DETAILS

Commissioned for: Hotel Schneider
Art consultancy: Velvenoir
Location: Obertauern, Austria
Year: 2025
Scope: Eleven site-specific photographic works
Process: Created on location using natural light and objects from the family archive

ART COMMISSIONS

I create site-specific photographic works for hospitality spaces, interiors, and private collections, developed in response to the history, atmosphere, and identity of each place.

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For commissions and project enquiries:

studio@ericaferraroni.com

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